tiny orchestral moments songs, improvised & improvisations that sound composed |
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Tiny Orchestral Moments Box Set 20 discs in an unlikely, unusual box |
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© 2016 - 2023 Ballistic Music |
CD3:
Improvisations Tiny Orchestral Box Set DRAFT MIXES
All Mixes are DRAFT for CD3 |
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2016 Peak Week I Musicians Special Guests
Julie Slick (Philadelphia)
Patrick Grant (New York)
Petra Haden (Los Angeles)
Core Team Nora Germain (Los Angeles)
Paul Richards (Los Angeles)
Sonia Wilson (Paris)
Nigel Gavin (Auckland)
Amy Denio (Seattle)
Steve Ball (Seattle) Carl Marti Germain (Seattle)
Aileen Elizabeth Bunch (Philadelphia)
Erin Victoria Wigger (Los Angeles)
Seattle Guitar Circle
Jaxie Binder
Curt Golden
Bob Williams
Dean Jensen
Bill Van Buren
Chris Gibson
Jane Mabry-Smith
Sandra Prow
Lucius Gregory Meredith
Rob Taylor-Manning
Studio Guests
Trey Gunn (Warr guitar / bass / uke)
Igor Abuladze (guitar / bass)
Dan Moore (drums)
Documentarians
Steven Perilloux (Los Angeles)
Louise Amandes
Ron Austin
Engineers
Christian Heilman (Tues / Wed engineer) Geoff Ott (Thurs / Fri engineer)
Shohei Ogami (Sat engineer)
Jonathan Plum (Studio owner)
All tracks recorded Wednesday August 31st - Saturday September 2nd, 2016 at the Chapel and/or London Bridget Studio, Seattle WA Recording Engineers: Christian Heilman (the Chapel) and Geoff Ott / Shohei Ogami (London Bridge) Mixed and Produced by Steve Ball |
Tiny Orchestral Moments: Peak Week I at the Chapel photo: © Peter Dervin 2016
Music Notes
"Tiny Drift" was an in-studio improvisation at London Bridge featuring Petra Haden, Jane Mabry-Smith and Amy Denio on vocals -- and the full Tiny Orchestral Moments ensemble improvising over Julie's loop from 'The Drift".
Why Inclusion as a Principal? Inclusive projects acknowledge that we are all, always somewhere along the spectrum from beginning to mastery, and our position changes radically from moment to moment. The principal of inclusion acknowledges our 'mobile' state, and it puts a revolving burden on those who may be further along at time X to help pull those around them up -- so that the same might happen for them the next time they are down. Operating from a principal of inclusion embodies the power of groups whose members are equal in commitment even if at time Y they are not all equal in skill, understanding, competence or clarity. Inclusion also enables a powerful opportunity for contributing silence, and beginning to recognize that, in a large group, we don't have to play many notes to build a beautiful melody together. * * *
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CD 3 DRAFT Artwork Note: CMYK color publishing licensing completed |
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